Queer Correspondence

A mail-art initiative

June - December 2020

David Lindert, 'Door', 2020
In the context of on-going uncertainty –a condition familiar to minority communities, though now made even more palpable to themselves and others by the arrival of Covid-19–, alternative forms of artistic production, distribution and reception are being developed. Cell Project Space presents Queer Correspondence: a mail-art initiative that seeks to nurture the indeterminate spaces of possibility that are put forward by subcultural lives.
 
Consisting of monthly commissions, between June and December 2020, artists and writers have been invited to begin correspondences that will establish connections between queer families: those who are already “in a queer time and place” (following the title of Jack Halberstam’s seminal book). By exchanging with peers, friends, loved ones and close community members –as well as with themselves, nature and absent addressees–, through writing, poetry, photographs, and other 2D forms, these responses will hope to invoke the intimate and invisible gaps of this moment. 
 
In making their exchanges public, Queer Correspondence enacts a gesture of solidarity, one particular to queer communities. Letters, which today are shared in various forms via the internet, have historically served as a means for making connections when physical proximity was not possible; not just by geographical distance, but also by social and political imposition. At a time when manifold restrictions have ultimately changed the way we are able to be with one another, now and in the foreseeable future, the use of mail-art as an offline form of artistic and discursive production seeks to underscore, as much as to bridge, the distances between us; connecting us, while also disconnecting us. 
 
As each project is sent out, Queer Correspondence will make literal and symbolic physical journeys, moving across borders, transiting private and public spaces and inviting its recipients on a multiplicity of past, present and future temporalities of possibility. 
 
At Cell Project Space supporting artists continues to be at the forefront of our activity. All Queer Correspondence commissions have been conceived with artists and writers that were already invited to participate in our 2020/2021 programme and whose projects have been postponed due to the impact of Covid-19. Artists and some of their chosen pen-pals include: ⁠
 
June: Inspired by the methods of living history, artist Alex Margo Arden and artist and writer Caspar Heinemann will produce a multi-sensory experience invoking themes of trickery and trapping.
 
July: Artists Beatriz Cortez and Kang Seung Lee will continue an on-going conversation on “becoming atmosphere” as a metaphor for becoming undefined, malleable and porous. Engaging with histories of art production in times of the AIDS epidemic, war and migration, the artists will consider the current pandemic and its socio-political constructions as reminders "that we are breathing each other”.
 
August: Writer Ezra Green and choreographer Martin Hansen will attempt to share a nakedness by shedding the fabrication that they know what they mean when they say the words “the world” and “the future”.  
 
September: Artist rafa esparza will consider what correspondence can be as a queer form that extends beyond conversations between humans. Grounded within an indigenous perspective, Esparza will correspond with nature through routines and rituals, placing his relationship to the land as that of a steward.
 
October: In addition to exchanging with a pen-pal, artist, writer and filmmaker Gelare Khoshgozaran will design a stamping system for all Queer Correspondence commissions in collaboration with Nooshin Rostami.  
 
November: Artist Atiéna Riollet will explore correspondences with absent recipients; individuals and communities who are hidden or no longer there, who cannot or should not reciprocate.
 
December: Artist David Lindert will establish correspondence with himself, producing poems, diary entries and a series of photographs that will speak of self-decay, addiction and the upside downs of his romantic relationship in the times of “the virus”. 
 
For any programme and press enquiries, please contact Eliel Jones, Associate Curator, eliel@cellprojects.org
 
Made possible with the generous support of an Emergency Grant from Arts Council England.
 
 

Subscribe to Queer Correspondence

 
Queer Correspondence was launched with a free monthly distribution of 500 copies, with most editions being posted within the UK to sign-up subscribers and to households in the immediate locality of Cell Project Space, in the borough of Tower Hamlets, London. Hundreds of editions are also being distributed to sign-up subscribers from the EU and worldwide. All subscriptions have been prioritised on a first-come-first-served basis.
 
After releasing an additional 150 editions for each project, all of which have now been taken up, we have reached the total of 650 editions per commission. There are sadly no subscriptions left for Queer Correspondence. We are encouraging all QC subscribers to let us know that they have received their mail-art projects. We are also inviting them to share their delivery with others who may not have been able to subscribe by submitting images of the projects at their various destinations. 
 
If you are a QC subscriber and would like to share your delivery with others, you can tag us on your images, tweet them to us us, post them and/or send them via email at info@cellprojects.org.⁠ We will be sharing these images via our social media channels, and also on our website. 

Queer Correspondence #2

Beatriz Cortez & Kang Seung Lee

July 2020

For the second Queer Correspondence commission, Los Angeles-based artists Beatriz Cortez and Kang Seung Lee have produced a mail art project influenced by the radical lineages of art making during the AIDS pandemic, war and migration. In the tradition of flyposting, the artists have produced a package of printed matter fuelled by current movements of resistance and their accompanying efforts of solidarity. This material features a series of letters written sporadically –some of them drawn and/or spoken through others–, in which the artists unfold a dialogue that has been shaped by events occurring in real time. Shifting between past and present, and with the future as horizon, Cortez and Lee consider the current pandemic and its socio-political constructions as reminders "that we are breathing each other.”
 
Guiding this on-going conversation is the idea of “becoming atmosphere”; a metaphorical principle that the artists conceived to think through the act of disappearance as a way of pushing against the asphyxiating constraints imposed by identity. In their correspondence –and as the subject of a forthcoming collaborative exhibition–, the concept of “becoming atmosphere” is tied to the imagining of what it would mean to disappear as Western individual subjectivities, instead “becoming undefined, malleable and porous”; “becoming queer identities, becoming collective.”
 
Cortez and Lee’s mail art package attends to these ideas in a moment when a new global pandemic, as Cortez wrote to me in an email, makes known that “the conditions of vulnerability and insecurity are also ways to step outside Western reason.” Throughout their correspondence, Covid-19 looms in the background to the history of fighting HIV and AIDS; the force of Black Lives Matter as a movement seeking radical reparation and uncompromised justice; and the necessary proximity between police and prison abolition to the fight for migrants’ human rights. In making connections across these struggles the artists highlight that, despite the increasing global efforts for things to return back to “normal,” normalcy was never really a shared or equal condition of existence, but rather a chance of death that is always greater for some than others.
 
Invoking another moment in recent history when a pandemic underscored the expendability of life as being dependant on ideological and political positions, the first of two double-sided posters features graphite-rendered pages of Avram Finkelstein’s journal –one of six gay activists who designed the influential “silence = death” AIDS poster in 1987. Paired with quoted words and short statements, the back of the poster also features detailed drawings of works by other artists, including Peter Hujar, Tseng Kwong Chi and David Wojnarowicz, all of which Lee drew and shared with Cortez in lieu of letters. Reflecting on the contradictions of being visible and invisible, Lee poetically explores the experience of being a witness to a particular time, even –or especially– when disappearance has meant the silencing and personal erasure of marginalised communities.
 
Beginning her correspondence by reclaiming queerness as a mode of being that is beyond definition, Cortez’s letters to Lee unpack what it might mean to be uncontained –to be a breath, one through which “we flow towards the future in a process of becoming.” At the front of her poster, a steel tombstone has been carefully perforated with words, stitched with blue and white thread. Inscribed on it are sentences taken from sworn testimonies of children held in detention facilities in the US, gathered as part of the class action lawsuit Flores, et al. v. Reno. The words resonate with Cortez’s involvement in the artist-led initiative In Plain Sight, an artwork by a coalition of 80 artists and activists who earlier this month took to the skies through a surrogate fleet of planes that typed cloud-like messages for the abolition of immigrant detention and the US culture of incarceration.
 
Similarly highlighting the invisibility of what is all too often already painfully visible, Cortez and Lee’s Queer Correspondence comes to you as a recipient as well as with an open opportunity to facilitate your participation. Two postcards featuring messages to be added to and/or be completed are included for you to keep or decide to share with others. Also included as gifts within each package are individual desires in Korean, Spanish and English gathered by Cortez and Lee from artists, curators and thinkers that are part of their communities of support, and printed from an interactive sculpture by the artists. Titled The Future Perfect, and written in that grammatical tense, Cortez and Lee invite us to believe that “words have the power to will the future into being.”
 
Yours sincerely,
Eliel Jones
Associate Curator, Cell Project Space
 
Queer Correspondence is a mail-art initiative at Cell Project Space, initially running between June - December 2020. Consisting of monthly commissions, artists and writers have been invited to begin correspondences by mail that will establish connections between queer families: those who are already “in a queer time and place” (following the title of Jack Halberstam’s seminal book). By exchanging with peers, friends, loved ones and close community members—as well as with themselves, nature and absent addressees—, through writing, poetry, photographs and other 2D forms, these responses will hope to invoke the intimate and invisible gaps of this moment.
 
Beatriz Cortez is a multidisciplinary artist based in Los Angeles. Her work has been shown recently at the Henry Art Gallery in Seattle; Ballroom Marfa, in Texas; Museo de Arte Moderno de Bogotá, Colombia; Ford Foundation Gallery, New York; Los Angeles Contemporary Exhibitions, Los Angeles; TEORé/Tica in San José, Costa Rica; Queens Museum, New York; and Socrates Sculpture Park, New York. Cortez has received the Artadia Los Angeles Award (2020), Frieze LIFEWTR Inaugural Sculpture Prize (2019), Rema Hort Mann Foundation Emerging Artist Grant (2018), and California Community Foundation Fellowship for Visual Artists (2016), among others.
 
Kang Seung Lee is a multidisciplinary artist who was born in South Korea and now lives and works in Los Angeles. Lee has had solo exhibitions at One and J. Gallery, Seoul, South Korea (2018); Artpace San Antonio, TX (2017); Commonwealth and Council, Los Angeles, CA (2017, 2016); Los Angeles Contemporary Archive, Los Angeles, CA (2016); and Pitzer College Art Galleries, Claremont, CA (2015). Selected group exhibitions include MMCA, Seoul (2020); Palm Springs Art Museum, CA (2019); Participant Inc, New York (2019); Canton Gallery, Guangzhou, China (2018); and LAXART, Los Angeles, CA (2017). Lee is the recipient of the CCF Fellowship for Visual Artists (2019), the Rema Hort Mann Foundation grant (2018), and Artpace San Antonio International Artist-in-Residence program (2017).
 
Cortez and Lee’s forthcoming exhibition, Becoming Atmosphere, will open at 18th St Arts Center, Santa Monica, California, later this year. In 2021, Beatriz Cortez and Los Angeles-based artist rafa esparza will be presenting work as part of In the House of my Love, a group exhibition at Cell Project Space originally due to have opened in June 2020, and postponed due to Covid-19. To find out more about In Plain Sight, an initiative co-founded by esparza and Los Angeles-based multidisciplinary artist Cassils, please visit www.xmap.us.
 
For any programme and press enquiries, please contact Eliel Jones, Associate Curator, eliel@cellprojects.org
 
Made possible with the generous support of an Emergency Grant from Arts Council England.