The Neighbours: silenced histories of Bulgaria’s state-led violence

Krasimira ButsevaJulian Chehirian

Artist Talk and Spatial Audio Tour

03.07.2024
Wednesday, 3 July 2024
6.30pm promptly
 
Join us on Wednesday, 3 July, 6.30pm for a talk with artists and researchers Krasimira Butseva and Julian Chehirian, who will expand on the key concerns behind their project The Neighbours (with artist Lilia Topouzova, curator Vasil Vladimirov), currently representing Bulgaria at the 60th Venice Biennale. The talk continues Cell Project Space’s public programmes’ engagement with the under-acknowledged aspects of ‘Eastern’ Europe’s political history through an artistic lens. It follows Agnė Jokšė and Anastasia Sosunova’s two-person exhibition, Queer 'Eastern' European Anti-Colonial Solidarity Fundraiser, as well as CEED Feminisms research group and public programme.
 
During the event the artists will present a spatial audio tour of The Neighbours, sharing sounds and fragments from the installation. The sound performance will be followed by an artist talk, discussing the concepts and processes involved when working with political violence, traumatic memory, silenced histories, memorial sites and collective healing. The Neighbours is a multidisciplinary installation, employing found objects, video, and sound design, to convey the stories of those who endured Bulgarian Gulag camps and prisons (1945 to 1989). The installation is currently exhibited at the 60th Venice Biennale (open until 24th of November 2024). 
 
The Neighbours is rooted in extensive scholarly research and more than 40 interviews conducted by the practitioners, and reimagines the survivors‘ homes — the spaces where the interviews occurred — inviting audiences to inhabit them and bear witness. The Neighbours examines how the period of socialism is publicly remembered, but also how some of these memories unfold distinctly in private spaces. In the absence thus far of Bulgarian institutional engagement with the history and legacy of state violence, the project plays a crucial role in the process of unsilencing. It also reflects on the evolving function of museums and cultural institutions in providing a platform for individual and collective stories, contributing to discussions on truth, reconciliation, and collective memory.
 
Krasimira Butseva is a visual artist and researcher based in Sofia and London. She is a Senior Lecturer at the London College of Communication, University of the Arts London. In her creative and academic practice, Butseva works with trauma, memory, political violence, official and unofficial history, whilst employing video, sound, photography and installation as mediums. She has taken part in solo and group exhibitions in London, Brighton, Ipswich, Portsmouth, Gosport, Pingyao, Sofia, Plovdiv, Lovech, Cape Town, Kyiv, Belgrade, Berlin, and Stuttgart.
 
Julian Chehirian is a multimedia artist and researcher living between Philadelphia and Sofia. He is currently a PhD candidate in the History of Science at Princeton University, USA. Julian creates site-specific multimedia installations that employ modified objects, video, sound, and experimental technologies. In his scholarship, he writes on the history of attention and psychotherapy, post-war art and transnational history. His writing has appeared in edited collections for Yale University Press, Columbia University Press, Bloomsbury, in Culture, Medicine and Psychiatry, and in The Public Domain Review.
 
If you require assistance to access the building or have any additional access questions please contact Annabelle Mödlinger, Production Assistant: annabelle[at]cellprojects[dot]org.
 
This event is supported by British Art Network (BAN). BAN is a Subject Specialist Network supported by Tate and the Paul Mellon Centre for Studies in British Art, with additional public funding provided by the National Lottery through Arts Council England.

A Slow Roasted Subject, And A Lengthy Buffet | Workshop

Goldsmiths Art Writing Group

28.07.2025
Goldsmiths Art Writing Group Workshop, Cell Project Space, 2025
On Monday 28th July the gallery hosted A Slow Roasted Subject, And A Lengthy Buffet, a workshop led by Goldsmiths alumni Frank Wates and Oli Mardon, facilitated by Cell’s Trainee Producers Varvara Uhlik and Sam Stewart, invited members of the Goldsmiths Art Writing Group to respond to the Tanja Widmann, Johannes Porsch Produced By -1, plus One exhibition. 
 
Participants began with stream-of-consciousness writing, using the exhibition as a prompt. Inspired by Raymond Queneau’s Exercises in Style - a book that retells the same story 99 times in different styles, they each rewrote their texts in a new ‘voice’, such as noble, visual, or prosthetic. Pages were exchanged, sentences erased and rewritten, allowing the texts to evolve through editing process of addition and deletion. The pieces became playful cybernetic systems, drawing on the exhibition’s interest in repetition and variation. Finally, fragments were cut out and placed around the exhibition, turning the gallery into a mirrored feedback loop between artwork, artist and audience.
 
"The compositional aspect of group writing - with its distributed and circulating forms of authorship - strikes a productive and timely experiment, especially within and in response to the exhibition’s periperformative conditions." - Johannes Porsch & Tanja Widmann
 
Participants:
 
Niamh Seaber
Martha Lowres
Farah Corrigan
Nicole Di
Emre Ataman
Dawi Moxon
Enoch Hitchcock
Anna Webb Chivite
 
The Goldsmiths Art Writing Group is a student‑led collective setup by artists Frank Wates and Oli Mardon, exploring writing as an artistic practice. 
 
Varvara Uhlik and Sam Stewart are Cell's Trainee Producers, an initiative supported by Art Fund's Student Art Pass. The seven-month structured programme offers two full-time students a paid work placement to work closely with Cell’s critically focused team to actively engage in all aspects of gallery operations, from supporting the delivery of exhibitions and events to enhancing audience engagement. 
 
'–1, plus One' is the first UK solo exhibition by Vienna‑based artist Tanja  Widmann in collaboration with Johannes  Porsch. Widmann’s work uses scripts, readymade objects and everyday technologies as 'source code' to create coded feedback loops, while Porsch’s displays operate as performative sets that reveal their own conditions of visibility. Their collaboration invites visitors to consider how processes of cutting, supplementing and repeating shape meaning and subjectivity.
 
 
 
 

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