Teatro Grottesco presents Elizabeth Wright
15.01.2026 — 25.01.2026
Opening Thursday 15th January, 6-9pm
16th–25th January 2026
Thursday–Sunday, 12-6pm
New and selected works made between 1994 and 1998
Teatro Grottesco presents works by Elizabeth Wright in Cell Project Space’s reading room, its connecting office, and entryway leading to the gallery. These smaller, functional spaces provide context for the display of the artist’s past and recent sculptures; copies of phone directories that have been reduced in size, and oversized aluminium drinks cans. By altering the scale of everyday objects, Wright continually uses printing and modelling technologies to experiment with forms of compression and optical flattening in her practice.
Elizabeth Wright is an artist / copyist and Reader in Social Sculpture. Born in London where she currently lives and works. She studied at Birmingham Polytechnic and the Royal College of Art. A line of her enquiry is how the intersection of digital and physical sculpture can be used as a space for democratic arts practice. Fostering an open model, working within both formal and informal learning environments she has co-researched with the collectives, Grounds to Play, Digital Markers and Reverso; realising projects with local and international communities of children, playworkers, schools and cultural institutions.
“When asked to describe Teatro Grottesco, a representative replied, ‘You can never anticipate the Teatro – or anything else.’”
Elizabeth Wright’s work as an artist /copyist includes Scale, Foundación Juan March, Madrid, Spain (2023); Found Cities, Lost Objects: Women in the City’ Birmingham Museum, UK (2022); Involuntary Works, Atelier Amden, Amden, Switzerland (2018); Self Organisation DIY Practice, Miró Foundatión, Barcelona, Spain (2017). Wright’s works are held in private and public collections, including Tate and Arts Council England.
Teatro Grottesco founded in Turin, Italy, and now based in Paris, France, is a self-proclaimed 'giallo' gallery. Previous project presentations in 2025 include Gavin Brown, Paris Internationale and Giorgio Sadotti, Basel Social Club. Exhibitions in 2025 were 'O VS. KIM' by Jesper List Thomsen;'A História da Arte', Essila Paraíso; 'Drinking the Language of Things', Beatrice Bonino; and 'TOUCHING ITSELF (THE INDISCERNIBLE INTIMACY, NOT DREAMY, INACTIVE OR SENTIMENTAL, NOT COMPLETE, ABANDON)’, Giorgio Sadotti.
For all press and access related inquiries, please contact Annabelle Mödlinger: annabelle[at]cellprojects[dot]org.